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Facebook wasn't built out of a Harvard dorm window. However, Sean's subsequent question about a former records store shuts Eduardo up.Įduardo Saverin: That's Hollywood fantasy, not a documentary.
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Eduardo pointed out that the music industry won in court. Armor-Piercing Question: Sean Parker argues that the music industry lost against Napster.In real life, however, Facemash featured comparison of male faces as well as female ones. All Men Are Perverts: The principle Facemash operates on in the film.Affably Evil: Sean is just as big a Jerkass as Mark but manages to be far more charming while doing so.Adults Are Useless: Granted, the main characters aren't small children, but all the adults they go to for help simply blow them off - the lawyers (one can almost forgive Mark for his Jerkass behaviors towards them), New York advertisers, and especially Harvard president Larry Summers.Of course, if the filmmakers had depicted Zuckerberg as having a stable love life, it probably wouldn't have made the whole Lonely at the Top theme quite so dramatic, and they wouldn't have been able to portray his breakup with Erica Albright as such a defining moment in his life. Adapted Out: Of all of this movie's instances of Artistic License, probably the biggest is that there's never any mention of Mark Zuckerberg's then-girlfriend (now his wife) Priscilla Chan.Adaptation Title Change: The film is based off a book called The Accidental Billionaires.The film won three Oscars - Best Adapted Screenplay (for Aaron Sorkin), Best Film Editing, and Best Original Score ( Trent Reznor and Atticus Ross) - but lost Best Picture and Director to The King's Speech. It further tackles the question of what it really means to be "connected" (or rather disconnected) in modern society in a way that has helped the film simultaneously capture the spirit of the time it was made and only become more relevant as Facebook has continued to grow (although Fincher sees it more as a Black Sheep Hit). On another front, the Winklevoss twins are enraged that Mark effectively "stole" their idea, and begin a legal pursuit of him which raises the questions of how closely The Facebook matches their original idea and the validity of intellectual property.įor its examination of the alienating price of fame and success, The Social Network has frequently been called "the Citizen Kane of the 21st century". Mark is enraptured by Parker's vision, but Eduardo is constantly worried that Parker is leading his friend and their company in the wrong direction. Along comes Napster legend Sean Parker (Timberlake), who wiggles himself into the business and outlines how big this project is going to end up. "The Facebook" becomes an instant hit, with neither Mark nor Eduardo knowing exactly where to go from there. Mark takes that idea and works out a related networking website with his close friend Eduardo, who fronts the money for the start-up costs. His resulting publicity catches the attention of twin brothers Cameron and Tyler Winklevoss ( both played by Hammer note The effect was achieved through a mix of split-screen photography and Hammer acting alongside body double Josh Pence, whose face was then changed to Hammer's in post via Digital Head Swap), who conscribe him to develop a Harvard-exclusive networking website. In the fall of 2003 at Harvard, a 19-year-old Mark develops a student "hotness" rating website (using illegally obtained pictures) that becomes so popular that it crashes the school's servers.